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Kenneth J. Hoppin
August 7, 2025
Blues Fusion met and beat my expectation. Excellent recording Blues and jazz mix well. I received it in the promised time. Excellent material to start the beginner. There is fast and slow jazz and Blues. All in all, a good CD to invest in for people liking Jazz and Blues.
Sandra Rooke
July 24, 2025
Bought this album for my son and he was thrilled!
Doug Cameron
July 15, 2025
Mayall at his bluesy best..
Customer
July 10, 2025
I normally am unimpressed with live albums and prefer studio productions. This is an exception. An enjoyable listen to a much younger John Mayall one of my favourite blues artists!..
Client d'
July 7, 2025
Loisir
happypat
June 30, 2025
a1
Kindle Customer
June 17, 2025
Excellent album good service
Ros Butt
April 28, 2025
listen and learn !
Placeholder
February 28, 2025
Really nice! Loved it!!
Stefan Borg
February 14, 2025
Fantastiskt bra spelning, men inte lika personlig och intim som Turning Point.
Ray the Rat
January 22, 2025
John Mayall has had a long history of Brit Blues and skirted the edges of jazz many times. On this album he brings the two genres together with a great lineup of performers:Mayall: harmonica, guitar and pianoBlue Mitchell: TrumpetClifford Solomon and Ernie Watts: SaxRon Selico: PercussionFreddy Robinson: Guitarand the best for last...Larry Taylor: Bass.I plead guilty to being a bassist. Taylor is the best in my book and he demonstrates it on this album. Along with Ron Selico they provide an unshakable foundation for the rest of the performers. Taylor's adaptability to many different genres is demonstrated here as he and Mayall slide from the traditional I-IV-V blues patterns to almost free-form jazz.Each track has its own "personality" as is the case with most of Mayall's albums. Country Road starts with a blues format that combines the British and Chicago styles. Mess Around moves a little closer to R&B and reminds me of Junior Wells Messin' With the Kid. Good Times Boogie's awesome bass line and guitar solo jump right into a jazz format. Change Your Ways has a watermelon flavor; Dry Throat starts out as a slow blues piece but the horns add a definite jazz sound. Mayall blows his brains out with Exercise in C for Harmonica with harp and "mouth percussion" that made Room to Move so interesting and Taylor's bass solo shows off his generally under-rated virtuosity in a pure jazz piece. Finally, Got to be This Way begins with Mayall's signature style of the blues, then adds a jazz component with the horn, guitar and bass solos.Considering that this album was recorded in 1972, it amazes me with the "maturity" of the music it contains. If you're a traditional 12-bar blues fan, you might not enjoy it as much as some of Mayall's other albums. But if you enjoy great music and performance by some of the best non-mainstream musicians in these genres, then you'll probably love it as much as I do.
Mordor
October 29, 2024
Me ha encantado, muy recomendable para todos los fans de mayall
Carlos hernandez
October 21, 2024
muy buen disco para mi el mejor de todos sus discos contando con muy buenos musicos de jazz totalmente recomendable para todos aquellos que les gusta la buena musica
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